RENI, Guido
Italian Baroque Era Painter, 1575-1642 Italian painter, draughtsman and etcher. He was one of the greatest and most influential of the 17th-century Italian painters, whose sophisticated and complex art dominated the Bolognese school. A classicizing artist, deeply influenced by Greco-Roman art and by Raphael but also by the mannered elegance of Parmigianino's paintings, he sought an ideal beauty; his work was especially celebrated for its compositional and figural grace. In his religious art he was concerned with the expression of intense emotion, often charged with pathos; according to his biographer Malvasia, he boasted that he 'could paint heads with their eyes uplifted a hundred different ways' to give form to a state of ecstasy or divine inspiration.

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RENI, Guido The Massacre of the Innocents oil painting


The Massacre of the Innocents
mk86 1611 Oil on canvas 268x170cm Bologna,Pinacoteca Nazionale
Painting ID::  33575
RENI, Guido
The Massacre of the Innocents
mk86 1611 Oil on canvas 268x170cm Bologna,Pinacoteca Nazionale
   
   
     

RENI, Guido The Baptism of Christ oil painting


The Baptism of Christ
mk86 c.1623 Oil on canvas 263.5x186.5cm Vienna,Kunsthistorisches Museum
Painting ID::  33576
RENI, Guido
The Baptism of Christ
mk86 c.1623 Oil on canvas 263.5x186.5cm Vienna,Kunsthistorisches Museum
   
   
     

RENI, Guido The Massacre of the Innocents oil painting


The Massacre of the Innocents
mk156 c.1611 Oil on canvas 268x170cm
Painting ID::  40415
RENI, Guido
The Massacre of the Innocents
mk156 c.1611 Oil on canvas 268x170cm
   
   
     

RENI, Guido The Rape of Helena oil painting


The Rape of Helena
1631 Oil on canvas
Painting ID::  51061
RENI, Guido
The Rape of Helena
1631 Oil on canvas
   
   
     

RENI, Guido The Gathering of the Manna oil painting


The Gathering of the Manna
1614-15 Oil on canvas, 280 x 170 cm
Painting ID::  51279
RENI, Guido
The Gathering of the Manna
1614-15 Oil on canvas, 280 x 170 cm
   
   
     

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     RENI, Guido
     Italian Baroque Era Painter, 1575-1642 Italian painter, draughtsman and etcher. He was one of the greatest and most influential of the 17th-century Italian painters, whose sophisticated and complex art dominated the Bolognese school. A classicizing artist, deeply influenced by Greco-Roman art and by Raphael but also by the mannered elegance of Parmigianino's paintings, he sought an ideal beauty; his work was especially celebrated for its compositional and figural grace. In his religious art he was concerned with the expression of intense emotion, often charged with pathos; according to his biographer Malvasia, he boasted that he 'could paint heads with their eyes uplifted a hundred different ways' to give form to a state of ecstasy or divine inspiration.

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